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Depositordc.contributorWilson, Graeme
Funderdc.contributor.otherUniversity of Edinburghen_UK
Spatial Coveragedc.coverage.spatialEdinburghen_UK
Spatial Coveragedc.coverage.spatialNewcastleen_UK
Spatial Coveragedc.coverage.spatialUKen
Spatial Coveragedc.coverage.spatialUNITED KINGDOMen
Time Perioddc.coverage.temporalstart=2014-03-25; end=2014-06-27; scheme=W3C-DTFen
Data Creatordc.creatorWilson, Graeme B
Data Creatordc.creatorMacDonald, Raymond AR
Data Creatordc.creatorDuff, Malcy
Data Creatordc.creatorDuncanson, Lindsay
Data Creatordc.creatorGabrysch, Marek
Data Creatordc.creatorGreen, Owen
Data Creatordc.creatorKeay, Cath
Data Creatordc.creatorKnox, Dawn Felicia
Data Creatordc.creatorLloyd, Emma
Data Creatordc.creatorLozano-Thornton, Dario
Data Creatordc.creatorMasson, Sheila
Data Creatordc.creatorParr-Burman, Michael
Data Creatordc.creatorRobertson, Ali
Data Creatordc.creatorStockbridge, Jamie
Data Creatordc.creatorSmith, Grant
Data Creatordc.creatorWallder, Dan
Data Creatordc.creatorWilliams, Sean
Date Accessioneddc.date.accessioned2015-07-28T11:45:30Z
Date Availabledc.date.available2015-07-28T11:45:30Z
Citationdc.identifier.citationWilson, Graeme B; MacDonald, Raymond AR; Duff, Malcy; Duncanson, Lindsay; Gabrysch, Marek; Green, Owen; Keay, Cath; Knox, Dawn Felicia; Lloyd, Emma; Lozano-Thornton, Dario; Masson, Sheila; Parr-Burman, Michael; Robertson, Ali; Stockbridge, Jamie; Smith, Grant; Wallder, Dan; Williams, Sean. (2015). Meanings of Interaction Among Musicians Improvising (MIAMI), 2014 [sound]. University of Edinburgh. Edinburgh College of Art. Reid School of Music. https://doi.org/10.7488/ds/285.en
Persistent Identifierdc.identifier.urihttp://hdl.handle.net/10283/830
Persistent Identifierdc.identifier.urihttps://doi.org/10.7488/ds/285
Dataset Description (abstract)dc.description.abstractPost-genre improvisation is a key direction in current music, and is aligned with trends in other arts (e.g. performance and sound art, collaborative or process-based practice). Collective improvisation demonstrates a universal capacity for social, spontaneous and non-verbal creativity. Although the complexity of this unique artistic and psychological process is poorly conceptualised, it has parallels to discourse models of interaction, suggesting that insight can best be gained through close attention to how specific performance events are rationalised by performers. This dataset consists of sound recordings of improvisations by five trios of free improvisers. They were recorded for a qualitative psychological study into the processes of group improvisation, carried out by Raymond MacDonald and Graeme Wilson (Reid School of Music, ECA, University of Edinburgh) in 2014. The recordings were used to structure subsequent individual interviews with the improvisers, exploring their understanding of the choices made during their piece. Authors who publish using this dataset are required to add the data creators and artists credited on each separate recording as co-authors. Otherwise, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License terms apply. http://creativecommons.org/licenses/by-nc-nd/4.0/en_UK
Dataset Description (TOC)dc.description.tableofcontentsMIAMI Trio 1. Recorded Alison House by Kevin Hay; mixed by Sean Williams. Owen Green - bowed box; Emma Lloyd - violin; Sean Williams - analogue synthesiser [from Grey Area]. MIAMI Trio 2. Recorded Alison House by Kevin Hay. Malcy Duff & Ali Robertson – amplified objects; Grant Smith – electric guitar. MIAMI Trio 3. Recorded Alison House by Kevin Hay. Marek Gabrysch, Dawn Knox & Sheila Masson [from Noize Choir- noizechoir.tumblr.com] – voice. MIAMI Trio 4. Recorded Alison House by Kevin Hay. Lindsay Duncanson, Cath Keay & Dan Wallder [from Noize Choir - noizechoir.tumblr.com] – voice. MIAMI Trio 5. Recorded in Newcastle Upon Tyne by Graeme Wilson (audio file from video recording). Dario Lozano-Thornton, Mike Parr-Burman - electric guitars; Jamie Stockbridge - alto saxophone.en_UK
Languagedc.language.isoengen_UK
Publisherdc.publisherUniversity of Edinburgh. Edinburgh College of Art. Reid School of Musicen_UK
Relation (Is Referenced By)dc.relation.isreferencedbyWilson GB, MacDonald RAR (2015) "Musical choices during group free improvisation: A qualitative psychological investigation" doi: 10.1177/0305735615606527
Relation (Is Referenced By)dc.relation.isreferencedbyhttps://doi.org/10.1177/0305735615606527
Rightsdc.rightsAuthors who publish using this dataset are required to add the data creators and artists credited on each separate recording as co-authors. Otherwise, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License terms apply. http://creativecommons.org/licenses/by-nc-nd/4.0/en
Subjectdc.subjectcollaborationen_UK
Subjectdc.subjectcreativityen_UK
Subjectdc.subjectmusicen_UK
Subjectdc.subjectqualitativeen_UK
Subjectdc.subjectgroupsen_UK
Subjectdc.subjectidentitiesen_UK
Subjectdc.subjectinteractionen_UK
Subjectdc.subjectimprovisationen_UK
Subject Classificationdc.subject.classificationCreative Arts and Designen_UK
Titledc.titleMeanings of Interaction Among Musicians Improvising (MIAMI)en_UK
Typedc.typesounden_UK

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